This workshop will explore how poetry can transform our relationship with grief by using elegies, language and imagery to relinquish pain, give power and honor our losses.

In this seminar and workshop, participants will discuss setting in prose fiction, including its importance in establishing “place,” its integration into scene, and its support of characterization and theme.

In this virtual workshop led by USA Today bestselling novelist and Tall Poppy Writers founder Ann Garvin, you will learn how to get to the very heart of your project and make certain that the story you're working on is compelling and clear. Even the most complicated or quiet of tales can be pitched in such a way that people will sit up and take notice.

In this class, we’ll work on engaging with a character’s thoughts and feelings in ways that move beyond these cliches, using specificity and deepening character. This will be a generative workshop. Using your own characters and their harrowing situations, we’ll look at, discuss and practice Rebecca Makkai’s four techniques to writing interiority: Action, Thought, Specific Physical Interiority and Tangential Thought.

In this class, we’ll study some of the best flash fictions around, from Amy Hempel to Venita Blackburn. We’ll write one to two flash fiction pieces each week and share our work for feedback in small groups.

In this class, we’ll study some of the best flash fictions around, from Amy Hempel to Venita Blackburn. We’ll write one to two flash fiction pieces each week and share our work for feedback in small groups.

In this class, we’ll study some of the best flash fictions around, from Amy Hempel to Venita Blackburn. We’ll write one to two flash fiction pieces each week and share our work for feedback in small groups.

In this class, we’ll study some of the best flash fictions around, from Amy Hempel to Venita Blackburn. We’ll write one to two flash fiction pieces each week and share our work for feedback in small groups.